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2025 NJSLA Results Show Charter Schools Outpacing District Peers

The New Jersey Department of Education released the spring 2025 New Jersey Student Learning Assessment (NJSLA) results last week, providing updated insight into student performance in reading and math across all public school districts. The data shows that charter schools continue to post strong outcomes, particularly in urban communities with high concentrations of economically disadvantaged students.

Statewide, charter schools serve about 64,000 students. More than three-quarters of these students, or 76%, come from economically disadvantaged households, and a large majority are students of color. Across all charter schools, 51.9% of students demonstrated reading proficiency, compared with a statewide average of 53.1%.

Key Takeaways
  • Charter school students in New Jersey’s largest cities are far more likely to meet grade-level reading and math standards than students in district schools.
  • Jersey City and Newark charter schools exceed the statewide reading proficiency rate, while Plainfield and Paterson outperform their own pre-pandemic benchmarks.
  • Charter schools primarily serve economically disadvantaged and diverse student populations while continuing to demonstrate measurable academic progress.

Jersey City and Newark Charter Schools Post Reading Rates Above the State

Jersey City charter schools recorded the highest reading proficiency results in the state. The city has 11 charter schools enrolling nearly 7,000 students. Student demographics show that 34% are Black, 32% are Latino, 22% are Asian, and 14% are White. Roughly two-thirds of students, or about 66%, are economically disadvantaged. The 2025 NJSLA data shows that 58.6% of Jersey City charter students are reading at grade level, which is 5.5 percentage points higher than the statewide rate.

In Newark, charter schools also exceeded the state average in reading for the third consecutive year. The city enrolls about 20,000 charter school students, with 85% coming from low-income backgrounds. Results from the 2025 assessment show that 53.6% of Newark charter students achieved proficiency levels 4 or 5 in English language arts, slightly higher than the statewide proficiency rate of 53.1%. Both district-run and charter schools in Newark have recorded steady academic improvement over recent years.

Robert Treat Academy Charter School in Newark surpassed the statewide reading proficiency rate by 17 percentage points, even though the school serves nearly twice the share of economically disadvantaged students compared with the state as a whole.

Charter Students Consistently Outperform District Peers in Major Cities

A closer review of assessment results across six cities with the largest charter school enrollments—Newark, Camden, Paterson, Trenton, Jersey City, and Plainfield—shows similar trends. Charter school students in these cities are, on average, 71% more likely to read at grade level and 65% more likely to meet grade-level expectations in math than students attending district schools.

When viewed statewide, charter students are about half again as likely to reach grade-level reading standards, or 50% more likely, and nearly half again as likely, or 47% more likely, to meet math standards compared with district peers. These figures reflect the share of students scoring at proficiency levels 4 or 5 on the NJSLA in English language arts and mathematics.

The New Jersey Public Charter Schools Association points to instructional focus, extended school days, additional professional development, and consistent school culture as factors connected to these outcomes.

Plainfield and Paterson Charter Schools Exceed Pre-Pandemic Reading Benchmarks

Plainfield operates five charter schools serving approximately 3,300 students. Among this group, 84% are from economically disadvantaged households, and 14% are multilingual learners. Reading proficiency among Plainfield charter students rose from 39.9% in 2019 to 51.2% in 2025, marking a double-digit increase beyond pre-pandemic levels.

In Paterson, charter schools serve around 7,400 students, with 86% identified as economically disadvantaged. Alongside easing overcrowding in district schools, Paterson charters posted reading proficiency rates of 48.7% in 2025, surpassing the city’s 2019 pre-pandemic rate of 47.1%.

Queen City Academy Charter School in Plainfield, a K–12 school enrolling 506 students, also exceeded its pre-pandemic reading proficiency level. At Queen City, 87% of students are economically disadvantaged. The school’s 2025 results show reading proficiency that is 12 percentage points higher than the statewide average, supported by data-driven instruction, personalized learning strategies, and added academic supports such as weekday and Saturday academies.

Trenton Charter Schools Represent a Majority of Grade-Level Readers

Trenton charter schools serve about 4,200 students. Of these students, 85% are economically disadvantaged, 10% receive special education services, and 9% are multilingual learners. Analysis of 2025 results shows that charter students in Trenton are four and a half times more likely to read at grade level than their district peers.

Although charter schools enroll about one-fifth, or 20%, of Trenton’s public school students, they account for nearly three-fifths, or close to 60%, of all students reading at grade level in the city. Foundation Academy Charter School in Trenton reported a 22 percentage point increase in reading proficiency since 2022 and is now performing above pre-pandemic levels while approaching the statewide average.

Camden Schools Record Faster Growth Than the State Average

Camden district, charter, and renaissance schools have shown accelerated improvement compared with statewide trends. The share of Camden students reading at grade level increased from 17% in 2022 to 27% in 2025, reflecting a 10 percentage point gain that more than doubled the statewide improvement rate over the same period.

From 2024 to 2025, Camden charter and renaissance schools also posted year-over-year gains, with reading proficiency rising by 4.2 percentage points and math proficiency increasing by 3.3 percentage points across all grade levels.

1888 Studios Breaks Ground in Bayonne as Paramount Commits to 10-Year Lease

New Jersey officials held a groundbreaking ceremony on Tuesday, December 16, 2025, in Bayonne for 1888 Studios, a new film and television production campus developed in partnership with Paramount. The event marked the start of construction on a large-scale entertainment facility planned on a former industrial waterfront site.

Key Takeaways
  • 1888 Studios in Bayonne will be the largest film and TV production facility in the Northeast, featuring 23 sound stages across a 1.6-million-square-foot campus.
  • Paramount has signed a minimum 10-year lease, committing more than 285,000 square feet and establishing a major production hub in New Jersey.
  • The project is expected to create more than 4,300 jobs and strengthen New Jersey’s growing reputation as “Hollywood East.”

Location, Size, and Development Timeline

1888 Studios is being built on a waterfront property in Bayonne, New Jersey, on land previously used for oil refineries. The site spans between 58 and 60 acres and has completed full environmental remediation. During cleanup, the land was raised by about 18 feet using clean soil. State officials confirmed the remediation process is finished, and the studio complex is expected to be completed within the next two to three years.

The project will total 1.6 million square feet once finished. It will be the largest film and television production facility in the Northeast and one of the largest in the country. The site is located less than 30 minutes from Manhattan and falls within the 25-mile union radius of Columbus Circle. Due to this proximity, film productions have already begun shooting at the location.

Studio Design and Production Capacity

The campus was designed by global architecture firm Gensler and is being developed by Togus Urban Renewal. Project renderings show an art deco design intended to echo imagery from Hollywood’s Golden Age.

The completed facility will contain more than 1.1 million square feet of production space. Plans include 23 sound stages with minimum 40-foot clear ceilings, along with production support areas, flexible post-production space, offices, mills, base camp and backlot areas, and lighting and grip facilities. The campus layout is structured to support every phase of film and television production at one site.

The studio’s name, 1888 Studios, comes from the year Thomas Edison filed a preliminary patent for an early motion picture camera in New Jersey, linking the project to the state’s early role in film history.

Paramount’s Lease and Industry Commitment

Paramount has signed a minimum 10-year lease at 1888 Studios and will occupy more than 285,000 square feet of the campus. Through New Jersey’s Film and Digital Media Tax Credit program, Paramount has received Studio Partner status for the project.

Andy Gordon, chief strategy officer and chief operating officer for Paramount, said the company’s expansion into New Jersey supports its long-term strategy to scale production and grow its slate of entertainment. He said Paramount is investing in the United States and the region to support job creation and economic growth, pointing to New Jersey’s competitive tax credit programs as a key factor that has drawn production to the tri-state area.

Tax Credits and Economic Activity

New Jersey provides film and television productions tax rebates ranging from 35% to 40% for eligible expenses and hiring. The Film and Digital Media Tax Credit program was expanded in 2025, giving the New Jersey Economic Development Authority the authority to designate three Studio Partners and three Film-Lease Partner Facilities tied to large infrastructure commitments.

Governor Phil Murphy said the state receives about $7 in economic activity for every $1 spent on incentive programs. The 1888 Studios project is expected to generate more than 4,300 jobs, including at least 2,300 construction positions and about 2,000 jobs connected to ongoing studio operations and related activity. Construction of the campus will be completed by union workers.

Community Response in Bayonne

The development has drawn attention throughout Bayonne. Residents have raised concerns about possible effects on rent levels, while local business owners have spoken about the opportunity created by increased activity tied to film production. A Bayonne restaurant owner said visiting production crews and actors could bring new customers and additional visibility to local businesses.

Additional Studio Projects Across New Jersey

1888 Studios joins other large film and television developments currently underway in New Jersey. Netflix is building a multi-phase East Coast production hub at Fort Monmouth. The $903 million project spans 289 acres across Oceanport and Eatontown and includes several sound stages. The development required approvals from officials in both municipalities and has been planned over several years.

Lionsgate Newark Studios is also under development. The project involves a $125 million, 300,000-square-foot film and television studio planned for the former site of the Seth Boyden Court public housing complex in Newark’s industrial South Ward. Construction on the Lionsgate facility began last week, and the studio is scheduled to open in 2027. In 2022, the New Jersey Economic Development Authority granted Lionsgate studio partner status under the Garden State Film and Digital Media Jobs Act, giving the company access to tax credits.

Statewide Expansion of Film and Television Production

Governor Phil Murphy described New Jersey as an innovative economy where film, television, and digital media continue to grow. He said the state has become a globally significant competitor in the entertainment industry through the arrival of world-class studios, the creation of high-quality jobs, infrastructure development, and economic growth across communities.

With construction underway in Bayonne and continued development in Fort Monmouth and Newark, New Jersey’s role in film and television production continues to expand across the East Coast.

NJ TRANSIT Advances Bergen Light Rail Extension and Transitway Design

NJ TRANSIT Advances Bergen Light Rail Extension FI

NJ TRANSIT is moving forward with two major initiatives aimed at expanding transit access, reducing road congestion, and supporting environmental and economic goals across northern New Jersey. These efforts include progress on the long-planned Hudson-Bergen Light Rail extension into Bergen County and a newly approved contract to advance the Meadowlands–Jersey City Transitway project.

Key Takeaways
  • NJ TRANSIT has issued a Request for Proposals to prepare a Draft Environmental Impact Statement for a 10-mile Hudson-Bergen Light Rail extension into Bergen County.
  • The Federal Transit Administration required a new environmental review due to changes since 2007 involving floodplains, stormwater management, and air quality.
  • NJ TRANSIT approved a Phase 2 design contract valued at no more than $22.28 million, plus 10 percent for contingencies, for the Meadowlands–Jersey City Transitway.

Environmental Review Process Reopened for Hudson-Bergen Light Rail Extension

NJ TRANSIT, the nation’s largest statewide public transportation system, has issued a Request for Proposals seeking a contractor to prepare a Draft Environmental Impact Statement for the Hudson-Bergen Light Rail extension into Bergen County. The action restarts the environmental review phase for the long-standing Northern Branch project.

The proposed extension would add roughly 10 miles to the current light rail system. Service would begin at the existing terminus at Tonnelle Avenue in North Bergen and continue north to a proposed endpoint at Englewood Hospital. Trains would operate along West Side Avenue in North Bergen and then transition onto an existing railroad right-of-way owned by CSX Transportation, running between 91st Street in North Bergen and the northern boundary of Englewood.

The project plan includes seven new station stops located within North Bergen, Ridgefield, Palisades Park, Leonia, and Englewood. NJ TRANSIT President and CEO Kris Kolluri stated that issuing the RFP reflects the agency’s commitment to extending light rail service into Bergen County and to expanding mass transit access throughout New Jersey.

Federal Transit Administration Action Drives New Environmental Impact Statement

The renewed environmental review follows a 2023 decision by the Federal Transit Administration to withdraw its previous Notice of Intent related to NJ TRANSIT’s earlier environmental impact statement for the project. The FTA cited changes in environmental conditions that have taken place since 2007, including issues related to floodplains, stormwater management, and air quality.

NJ TRANSIT concluded that the scope of work needed to address these updated conditions required a new environmental impact statement rather than revisions to the existing document. Following that determination, the agency began preparing the requirements that are now outlined in the current Request for Proposals.

State and county officials expressed support for continuing the project. State Senator Paul Sarlo described the Northern Branch as critical to the economic health of northern New Jersey and an important transportation option for Bergen County residents. Assemblyman Clinton Calabrese, who chairs the Assembly Transportation Committee, said the extension aligns with the original goal of connecting Bergen and Hudson counties through a modern light rail system. Bergen County Executive James Tedesco said the project would provide needed mass transit options in one of the state’s most densely populated counties.

Phase 2 Design Work Approved for Meadowlands–Jersey City Transitway

In addition to the light rail project, NJ TRANSIT is advancing the Meadowlands–Jersey City Transitway after its board approved an extension of its contract with engineering firm HNTB Corp. The approval, announced on December 11, allows Phase 2 engineering and design work to move forward.

The Phase 2 contract authorizes spending of up to $22.28 million, with an additional 10 percent allocated for contingencies. This phase focuses on designing the section of the Transitway that would connect Secaucus Junction and Jersey City, including a dedicated right-of-way.

The Transitway initiative began in 2021 and is intended to improve travel between Jersey City, Secaucus, and the Meadowlands Sports and Entertainment Complex. Destinations served by the corridor include MetLife Stadium, the Meadowlands Racetrack, the Meadowlands Arena, and the American Dream complex.

Route Features and Environmental Standards for the Transitway

The planned Transitway will include multiple stops and support several vehicle types, excluding rail. The route will make use of the former Boonton rail line and the Bergen Arches corridor. NJ TRANSIT has identified two primary objectives for the project: increasing capacity and efficiency for travel between the Meadowlands Entertainment Complex and Secaucus Junction, and creating a new transit route through a heavily populated section of North Jersey.

Environmental considerations are a central part of the design criteria. NJ TRANSIT has stated that vehicles operating along the corridor must be capable of zero-emission operation or be easily converted to zero-emission technology in the future. The design is also expected to allow for a transition to fully autonomous vehicle operations as technology advances.

NJ TRANSIT Board Chair and State Transportation Commissioner Fran O’Connor said the project’s advancement represents an important milestone. Kris Kolluri, who is set to assume the role of NJ TRANSIT President and CEO effective January 15, 2025, described the Transitway as a key public transportation project that supports environmentally responsible travel and economic growth.

NJ TRANSIT first selected HNTB for work on the Transitway in 2021, awarding the firm a $3.42 million contract for conceptual development and preliminary design during Phase 1.

Drake Powell Answers Nets Coach’s “Shows That He Cares” Message

Drake Powell Responds to Tough Love

Brooklyn Nets rookie Drake Powell encountered an early test in his NBA season after his role was sharply reduced in a loss to the Dallas Mavericks, drawing direct feedback from head coach Jordi Fernández.

In Brooklyn’s 119-111 loss to Dallas on Friday, Powell played 2 minutes and 41 seconds off the bench during the first quarter. The No. 22 pick in the 2025 NBA Draft recorded one turnover, two fouls, one block, and one assist in that span. After the game, Fernández said Powell and fellow rookie Egor Dëmin lacked “readiness to play,” pointing to mistakes made during their limited minutes. Powell’s reduced role also coincided with Nolan Traore receiving time in the rotation, though Fernández tied the decision to execution rather than long-term status.

Key Takeaways
  • Drake Powell took head coach Jordi Fernández’s tough criticism seriously after a poor showing against Dallas and used it as motivation.
  • Powell and fellow rookie Egor Dëmin responded with strong performances in a historic 127-82 win over the Bucks.
  • Veterans and coaches continue to support Brooklyn’s young core as the team focuses on long-term development.

A Message Powell Recognized Immediately

The comments resonated with Powell, who said the message matched feedback he had heard earlier in his basketball life.

It was obviously some of the things I’ve heard before with my player development coach and even when I was younger, going through AAU,” Powell said after practice on Tuesday. “I respect him [Fernández] for that. It just shows that he cares, not only about me as a basketball player but as a human being.”

Powell later spoke with Dëmin about the feedback, and both rookies agreed their response needed to come through their play on the court.

Betting Markets Move With Brooklyn’s Rotation and Injuries

As Brooklyn continued adjusting its lineup, sportsbooks posted varied odds ahead of the Nets’ Dec. 18 home game against the Miami Heat at Barclays Center.

DraftKings opened Miami as a 6.5-point favorite with a 227.5-point total, while FanDuel listed the Heat at -7.5 with a 228.5 total. BetMGM also posted Heat -6.5 and 227.5, while odds boards showed some sportsbooks pushing the spread into double digits. Moneylines ranged from Miami -258 to nearly -300, with Brooklyn priced between +210 and +240.

In the futures market, the Nets sat at +25000 to win the NBA championship, with season win totals set at 15.5, numbers shaped by Brooklyn’s rebuilding timeline and reliance on young players.

Injuries further affected the market. Brooklyn entered the Heat game without Cam Thomas and Nolan Traore, and Miami listed Tyler Herro and Nikola Jovic as out. During the game, Powell exited with a right ankle sprain, prompting sportsbooks to pull his live player props.

A Clear On-Court Response in Milwaukee

Two days earlier, Powell had already delivered his response. On Sunday, Brooklyn defeated the Milwaukee Bucks 127-82, the largest blowout win in the Nets’ franchise history, in a game Milwaukee played without Giannis Antetokounmpo.

Dëmin scored 17 points, while Powell finished with 13 points, four rebounds, three assists, and one steal in 23 minutes, posting a plus-31, the highest mark in the game. Since joining the rotation on Nov. 7, Powell has averaged 21.1 minutes per game and has played at least 13 minutes in every appearance.

Veteran guard Terance Mann, acquired in the same trade that brought Powell to Brooklyn, described the approach veterans have taken with the team’s young players.

Every game isn’t going to be perfect for them,” Mann said. “Just go out there and give a ton of effort. We try to lead by example.”

Fernández’s Expectations for Young Players

Fernández watched the Milwaukee game from home while dealing with an illness and addressed the rookies’ performance afterward, saying the effort met team standards while also pointing to the need for consistency over a full season.

He spoke about the challenges young players face in the NBA, and both Powell and Dëmin responded by doing what was best for the group.

Powell’s Role and Daily Preparation

Powell, a 20-year-old former North Carolina Tar Heel, has earned steady minutes through defensive effort. Since entering the rotation, he has averaged 6.9 points on 47 percent shooting and 2.3 assists per game. Across 18 games, he is averaging 6.3 points, 1.8 rebounds, and 2.1 assists, while shooting 48.8% from the field and 37.8% from three-point range.

He has pressured ball handlers such as Cade Cunningham and Jalen Brunson, switched assignments in the half-court, and disrupted passing lanes. Powell attributed his early impact to film study and preparation with the coaching staff.

At the end of the day, it’s basketball,” Powell said. “There’s ups and downs. I think it’s just important to stay levelheaded.”

Art Fair 14C Returns May 2026 With Inclusive, Artist-First Model

Art Fair 14C

Art Fair 14C will return for its 7th Edition from May 14 through May 17, 2026, continuing its role as New Jersey’s only international art fair. The event will take place in the Powerhouse Arts District of downtown Jersey City, drawing artists, galleries, and visitors from across the region, the country, and the world.

Key Takeaways
  • Art Fair 14C will hold its 7th Edition from May 14–17, 2026, at the 150 Bay Street Building in Jersey City.
  • The fair is a nonprofit, mission-driven program of ARTS 14C focused on access, inclusivity, and artist support.
  • Exhibitors can choose from three pricing options, including a no-upfront-cost model with shared sales revenue.

A Mission-Driven International Art Fair Founded by ARTS 14C

Art Fair 14C is the signature program of ARTS 14C, a 501(c)(3) nonprofit arts organization based in Jersey City. The organization’s name references New Jersey’s “what exit?” joke, reflecting its local identity while maintaining a global scope. Although international in reach, the fair honors its New Jersey origins and takes a Jersey-centric approach to programming.

ARTS 14C was founded in 2019 with a mission-driven art fair as its first program. Its stated mission is to increase opportunities for artists, expand public access to fine arts, and strengthen careers in the arts. While Art Fair 14C remains central to the organization’s identity, ARTS 14C operates year-round programming that supports artists and audiences beyond the fair itself.

Venue, Location, and Accessibility in the Powerhouse Arts District

The 7th Edition of Art Fair 14C will occupy the entire 40,000-square-foot fourth floor of the historic 150 Bay Street Building, a nationally recognized landmark in Jersey City’s Powerhouse Arts District. ARTS 14C also occupies three floors of the building for its arts incubator and residency program.

The venue is located less than 10 minutes from Manhattan by car, rail, or ferry, two blocks from the Grove Street PATH Station, and a five-minute walk from the Hudson-Bergen Light Rail, making it easily accessible to visitors traveling from New Jersey and New York City.

Open Loft Exhibition Spaces Designed for Flexible Installations

Art Fair 14C replaces traditional art fair booths with 22 open loft studios. They range in size from 840 square feet (78 square meters) to 1,504 square feet (140 square meters) and can be reserved by a single exhibitor or divided among two, three, or four exhibitors.

Each studio includes existing 12-foot-high walls, with optional temporary 8-foot walls available. Exhibitors are given a full week to install, allowing time to build custom salon-style or installation-based exhibitions. The studios are part of an active arts incubator, and exhibitors are encouraged to paint and customize their spaces. There is no requirement to repaint at the end of the fair.

Entire studios can be locked and include two full bathrooms. Beds can be provided for overnight use, with the requirement that they be stored or converted to couches or daybeds during public hours. Discounted hotel rates are available at the Canopy by Hilton, located one block away.

Exhibitor Pricing Model Introduced in 2025

In 2025, six weeks before the 6th Edition of the fair, Art Fair 14C introduced a tiered pricing and revenue-sharing system after repeated discussions with artists and gallerists about the softening art market. The system was created to reduce financial risk for exhibitors and remains in place for the 2026 edition.

The three participation options are:

  • Option 1: Pay $12 per square foot, process sales independently, and retain 100% of revenue.
  • Option 2: Pay half of the exhibitor fees, with Art Fair 14C processing sales and retaining 25%.
  • Option 3: Pay no upfront fees, with Art Fair 14C processing sales and retaining 50%.

Exhibition space can range from affordable to free, depending on the option selected. Over the past six years, exhibitors have sold millions of dollars of artwork and benefited from connections leading to residencies, exhibitions, commissions, museum acquisitions, and collaborations.

Making the Fair Open to the Public

Art Fair 14C is structured to reduce barriers within the art world. Its application process intentionally brings together traditional galleries, arts organizations, institutions, individual artists, artist collectives, residency programs, and university art departments.

Each year, the fair is open and free to the public during the Friday session. Forty percent of visitors report that Art Fair 14C is their first art fair. The fair also offers disability access tours, including sensory-friendly tours held before opening hours, designed for visitors with crowd anxiety or those on the autism spectrum.

From 2019 to 2025, 65% of attendees traveled from outside Hudson County. The top places of origin during that period were Jersey City, Manhattan, Brooklyn, Montclair, Hoboken, and Summit. In addition to collectors and general visitors, arts professionals, including gallerists, art consultants, and museum curators, attend to view work by emerging and established artists from New Jersey, New York City, and international locations.

Application Categories and Deadlines for the 7th Edition

The 7th Edition of Art Fair 14C includes three application categories.

Exhibition Booths and Spaces

Applications are free until December 15, with a $100 fee after that. The submission deadline is January 12, 2026. Loft studios may be reserved by a single exhibitor or divided among up to four exhibitors. Pricing is based on $12 per square foot, with exhibitors able to choose full payment, half payment, or no upfront payment.

The Showcase

The Showcase is an exhibition for unrepresented New Jersey-based artists. Applications are free until December 15 and $25 afterward, with a deadline of January 5, 2026. Selected artists exhibit free of charge and are chosen by Jessica Holmes, Zoë Pulley, and Irene Mei Zhi Shum.

Special Installations

Installation proposals are accepted for areas of the venue not suited to exhibition booths. Applications are free until December 15 and $25 afterward. Accepted proposals are offered installation space free of charge, with a focus on bold, non-commercial work that is site-specific or adaptable.

Applications are submitted through arts14c.awardsplatform.com.

The Organization Behind Art Fair 14C

ARTS 14C is led by Founder and CEO Robinson Holloway, who created Art Fair 14C in 2018 as an initiative of the Jersey City Arts Council while serving as the founding Chair of its Board of Directors. She also serves as Chair of the Board of Directors of the Association of Women Art Dealers, sits on the Hudson County Chamber of Commerce Board, co-chairs the HudsonGives Steering Committee, and serves as Vice President for Communications for the Village Neighborhood Association.

Holloway’s previous career was in sports journalism, including work for Sports Illustrated, ABC Sports, ESPN, and Golf Channel, and she continues to write the script for ABC’s Rose Parade coverage.

Hudson River Plane Crash: When Did Sully Land in the Hudson?

On a frigid January afternoon in 2009, Flight 1549 went from routine takeoff to a split-second fight for survival  and ended with an airliner gliding onto the icy Hudson River.

The “Miracle on the Hudson” stunned the world, rewriting what many thought was possible in a worst-case aviation scenario and spotlighting calm, expert decision-making under pressure.

More than 16 years later, it remains a defining moment in modern aviation and its impact still shapes how the industry thinks about training, safety, and crisis response.

Remembering Flight 1549’s Hudson River Landing

The answer to when did the plane land in the Hudson is January 15, 2009. On that date, US Airways Flight 1549 experienced the unthinkable: dual engine failure minutes after takeoff from New York’s LaGuardia Airport that ended with a plane in Hudson river. This event is commonly referred to as the Hudson River plane crash.

Captain Chesley “Sully” Sullenberger made the split-second decision to land the plane on the Hudson River, a maneuver fraught with risk but ultimately the only option to save the lives aboard.

Miraculously, all 155 passengers and crew survived the splashdown, thanks in part to Sully’s adept piloting and the rapid response of nearby boats and emergency responders.

The rescue operation was a show of human solidarity and efficiency. Ferry operators, Coast Guard vessels, and emergency teams converged on the scene, braving the frigid waters to ensure every soul was safely brought to shore.

Amid the chaos, passengers stood on the wings of the sinking plane, a vivid tableau of vulnerability and hope.

This seamless coordination of efforts underscored the event’s miraculous nature, turning a potential tragedy into a story of survival and heroism that captivated the world.

Captain Sully: Hero of the Hudson

At the heart of the Miracle on Hudson stood Captain Chesley “Sully” Sullenberger, whose calm demeanor and expert piloting instantly catapulted him into the annals of heroes.

A veteran aviator with over 40 years of experience, Sully’s decisive action and mastery under pressure were pivotal in averting what could have been a catastrophic tragedy.

His remarkable skill in gliding the aircraft onto the water’s surface showcased not just his profound expertise but also his courage. In the aftermath, Sully became a symbol of hope and resilience, embodying the best of human potential in the face of dire adversity.

Aviation Safety Reforms Post-Hudson River Incident

In the years following the Miracle on the Hudson, the aviation industry embarked on a journey of introspection and reform.

Captain Sully’s heroic water landing underscored the critical need for enhanced safety protocols and sparked significant changes in aviation regulations and pilot training programs.

By 2024, these reforms have become deeply embedded in the fabric of aviation safety, leading to more rigorous bird strike awareness and prevention methodologies, as well as advanced simulator training for pilots, preparing them for rare but potentially catastrophic scenarios.

The incident also activated improvements in engine durability and stricter inspection routines, ensuring that aircraft are better equipped to withstand bird strikes.

Furthermore, the role of crew resource management (CRM) has been magnified, promoting greater communication and teamwork among flight crews—a testament to the seamless coordination between Captain Sully and First Officer Jeffrey Skiles during the crisis.

These enhancements reflect a broader commitment within the industry to learn from past incidents and proactively safeguard against future emergencies. Not every captain can land a plane in the Hudson River, and protocols are required to avoid these incidents.

Survivor Stories: 16 Years After the Hudson Miracle

Sixteen years after the Miracle on the Hudson captivated the world, the stories of those who lived through it continue to resonate.

These real survivor tales not only echo the harrowing moments of survival but also reveal the profound, lasting impact the event has had on their lives.

  • Vallie Collins’ Harrowing Texts: As CNN reports, Vallie Collins experienced sheer terror as Flight 1549 plummeted towards the Hudson. In those dire moments, she texted her husband, believing they might be her last words. This poignant testament to the human spirit highlights the emotional turmoil of facing one’s mortality head-on. Moments after her texts, the plane lands in the Hudson River, and the rest is history.
  • Tribute to Heroism on the 16th Anniversary: On January 15, 2025, communities marked the 16th anniversary of Flight 1549’s emergency landing on the Hudson River, honoring the skill and courage of Captain Chesley “Sully” Sullenberger, his crew, and first responders. The remembrance highlighted how calm leadership saved all 155 people, turning a near disaster into a lasting story of resilience and hope.
  • Survivors Relive the Experience: On the 16th anniversary of the Miracle on the Hudson, aviation enthusiasts and visitors went to the Sullenberger Aviation Museum on Wednesday. Crane (a survivor) recalled the plane shaking violently, the order to “brace for impact,” and the eerie silence as the engines shut down, with whispers of birds spreading through the cabin.

Reflecting on 16 Years Since the Hudson River Miracle

The story of the Miracle on the Hudson doesn’t just belong to history books; it continues to ripple through our collective consciousness, a beacon of human tenacity and ingenuity.

It’s not merely a tale of survival against the odds but a narrative rich with lessons in leadership, teamwork, and the unfaltering spirit of humanity.

This event’s legacy goes beyond the waters of the Hudson – it serves as a lighthouse guiding the future of aviation safety and emergency preparedness.

By reflecting on this remarkable moment, we don’t just commemorate an incident; we celebrate the enduring power of hope and the invaluable insights gained from adversity.

Hoboken Agrees to End Residency Rule in Affordable Housing Case

On December 15, 2025, New Jersey confirmed a settlement between the Division on Civil Rights and the City of Hoboken that alters the city’s approach to affordable housing eligibility. The agreement resolves a complaint examining whether Hoboken’s residency-based preference complied with the New Jersey Law Against Discrimination.

Key Takeaways
  • A state civil rights review concluded Hoboken’s local residency preference may have produced unequal racial outcomes in affordable housing access.
  • The city will replace the Hoboken-only rule with a four-county regional preference and reinstate affected waitlist positions.
  • The settlement includes a minimum $30,000 commitment to affordability and fair housing initiatives, along with required staff education.

Residency Ordinance Review Followed Civil Rights Complaint

The Division on Civil Rights initiated its review after a Black Jersey City resident submitted a complaint stating she was unable to apply for an affordable housing unit in Hoboken, even though she had remained on the waitlist for five years. The complaint asserted that the policy resulted in discrimination based on race.

The review centered on Municipal Ordinance Amendment B-175, adopted in 2019. This ordinance prioritized current Hoboken residents when allocating affordable housing units. It replaced an earlier policy that extended residency consideration across a four-county area consisting of Hudson, Bergen, Passaic, and Sussex counties.

Although the ordinance did not explicitly reference race, the Division assessed whether it caused a disparate impact under the Law Against Discrimination. The LAD bars housing discrimination related to race, national origin, and other protected characteristics, including policies that appear neutral but generate disproportionate effects. The review identified concerns that the Hoboken-only preference may have limited access for residents of nearby municipalities that are more racially diverse than Hoboken.

Policy Revision Restores Regional Preference and Waitlist Status

As part of the settlement, Hoboken agreed to revise its ordinance by removing the city-only residency requirement. The city will return to a regional preference covering the four COAH Region 1 counties: Hudson, Bergen, Passaic, and Sussex.

This regional standard will apply to newly constructed affordable housing units used to meet Hoboken’s affordable housing obligations from 2025 through 2035, in accordance with the Mount Laurel doctrine and applicable affordable housing laws.

The settlement also outlines corrective actions for individuals affected by the prior rule. Applicants who were denied or bypassed on the waitlist because of the residency preference will regain their original waitlist placement. Individuals removed from the waitlist due to missed annual recertifications may request reinstatement if their initial application occurred before the ordinance revision. Those previously skipped or removed will be evaluated for opportunities to apply for affordable housing units, provided eligibility requirements are met.

Funding Commitments and Administrative Requirements

Under the agreement, Hoboken will dedicate no less than $30,000 to additional affordability assistance and fair housing-related projects or training efforts. City employees involved in affordable housing administration will be required to complete instruction on housing discrimination laws.

The settlement establishes that affordable housing opportunities in Hoboken will be accessible to a more diverse applicant pool, aligning the city’s housing practices with state civil rights requirements.

Yankees Reunite With Amed Rosario on $2.5M One-Year Deal

Yankees Re-Sign Amed Rosario

The New York Yankees and Amed Rosario are in agreement on a one-year, $2.5 million contract, sources told ESPN on Saturday, bringing the two sides back together after a short but productive stint last season. The deal includes incentive bonuses reported between $225,000 and $250,000, and Rosario is represented by Octagon.

Rosario, 30, originally joined the Yankees on July 26, when New York acquired him from the Washington Nationals at the trade deadline. In that deal, the Nationals received right-handed pitcher Clayton Beeter and minor league outfielder Brown Martinez. The Yankees targeted Rosario then for his versatility and right-handed bat — it was the same traits that drove the decision to bring him back.

Key Takeaways
  • The Yankees and Amed Rosario agreed to a one-year, $2.5 million contract that includes up to $225,000–$250,000 in performance incentives.
  • Rosario’s biggest value comes from his strong production against left-handed pitching and his ability to play multiple positions.
  • New York sees Rosario as a solution to its heavily left-handed lineup and as important infield depth, especially early in the season.

Addressing a Left-Handed Lineup With a Proven Right-Handed Option

Yankees general manager Brian Cashman has identified the club’s left-handed-heavy lineup as a problem he wanted to address this offseason. Speaking at the Winter Meetings, Cashman explained why adding accessible right-handed hitters has been challenging.

I definitely want to give Aaron Boone some legitimate choices so he can match up when we’re facing a left-handed starter because obviously we’re so left-handed that it’s a vulnerability right now,” Cashman said. “There’s not a lot of right-handed bats in the game that are accessible.

Rosario fits directly into that plan. After nine major league seasons, his strongest offensive skill remains his performance against left-handed pitching. During the 2025 season, he batted .302 with four home runs and an .819 OPS in 122 plate appearances against lefties. Over his career, he owns a .298/.336/.464 slash line in 1,196 plate appearances against southpaws.

At the time of Rosario’s re-signing, major sportsbooks continued to list the Yankees among the leading teams in World Series futures markets. DraftKings listed New York at +750 in early November, while FanDuel showed +700 during the same period. BetMGM and Action Network futures boards also listed the Yankees at +750, and Covers listed them at +700. PointsBet markets showed the Yankees at +850 in one listing and 9.50 in decimal odds in another.

These figures, posted across November and December, placed the Yankees consistently within a narrow futures range.

Rosario’s Production Following the Trade Deadline

After arriving in New York last July, Rosario contributed right away despite limited opportunities. He appeared in 16 regular-season games with the Yankees and batted .303, going 10-for-33 with a .788 OPS. His playing time was reduced by a 10-day stint on the injured list due to a left sternoclavicular joint sprain, but his offensive production met expectations.

Across the full 2025 season with the Nationals and Yankees combined, Rosario posted a .276 batting average and a .745 OPS, with six home runs and 23 RBIs. He also appeared in four postseason games for New York, making two starts and going 3-for-10.

Versatility Across the Diamond and Depth in the Infield

Rosario played mostly third base for the Yankees last season and is expected to fill a similar role again, likely platooning with left-handed hitter Ryan McMahon. McMahon is considered a strong defender, but Rosario is expected to receive more playing time against left-handed pitching. He also saw action at second base and in right field, giving manager Aaron Boone multiple options.

Flexibility is especially relevant early in the season. Anthony Volpe is expected to miss the start of the year while recovering from shoulder surgery, and if Jose Caballero handles extended shortstop duties, Rosario’s presence helps fill the utility role on the bench.

Reports have also linked the Yankees to Brendan Donovan and, more loosely, All-Star Bo Bichette.

A Veteran Role Player Finds Stability in the Bronx

Once considered one of baseball’s top prospects in the New York Mets’ farm system, Rosario later produced solid but uneven results as a regular with the Mets and Cleveland Guardians. His overall effectiveness was limited by low walk rates, struggles against right-handed pitching, and subpar defense at shortstop.

Now entering his age-30 season, Rosario has settled into a part-time, multi-position role. While he does not provide significant defensive value at any single position, his ability to hit left-handed pitching remains his defining strength.

Since the start of the 2023 season, Rosario has played for six different teams, signing one-year deals with the Tampa Bay Rays and Washington Nationals before returning to New York. The Yankees had interest in him during each of the past two offseasons, and this time they were able to complete a deal that brings him back for a full season. The contract represents a slight raise from the $2 million deal he signed with Washington last winter.

Knicks Beat Spurs to Win NBA Cup, Brunson Named MVP

Jalen Brunson Claims NBA Cup MVP as Knicks Win

New York Knicks guard Jalen Brunson was named the Most Valuable Player of the 2025 Emirates NBA Cup. He became the third player to win the award, joining LeBron James and Giannis Antetokounmpo.

Brunson received 19 of 20 votes from a panel of media members, with teammate OG Anunoby earning the remaining vote. Fan voting counted for five total votes, and Brunson received two of those tallies.

Key Takeaways
  • Jalen Brunson was named the 2025 Emirates NBA Cup MVP after receiving 19 of 20 media votes and averaging 33.3 points, 6.7 assists, and 3.7 rebounds during the tournament.
  • The New York Knicks defeated the San Antonio Spurs in the NBA Cup championship after erasing a double-digit deficit, with final scores reported as 124-113.
  • Bench contributions, strategic coaching decisions, and repeated success in pressure situations defined the Knicks’ Cup run.

Knicks Defeat Spurs To Capture NBA Cup Championship

The Knicks won the 2025 NBA Cup on Tuesday night by rallying past the San Antonio Spurs in the championship game. The final score of the game was 124-113, and the victory completed an 11-point comeback after New York trailed late in the third quarter.

Brunson finished the championship game with 25 points, eight assists, and four rebounds. He scored six points in the fourth quarter and played 41 minutes while being defended by Spurs guards Stephon Castle, De’Aaron Fox, and Dylan Harper. When Brunson was on the floor, the Knicks were 18 points better than the Spurs.

San Antonio entered the final after defeating the 24-2 Oklahoma City Thunder in the semifinals. Victor Wembanyama, who had returned in that game, increased his playing time from 21 minutes in the semifinal to 25 minutes in the championship. The Spurs built an 11-point lead late in the third quarter and had seven players score in double figures.

OG Anunoby led all scorers in the championship game with 28 points on 10-of-17 shooting. He also recorded nine rebounds and three assists. Karl-Anthony Towns was temporarily sidelined by an apparent first-half injury and was shown grimacing earlier in the game.

Jordan Clarkson scored 15 points off the bench and hit two consecutive three-pointers after entering the game shooting 28% from three-point range. Mitchell Robinson played 18 minutes and collected 15 rebounds, including 10 offensive rebounds, while occupying Wembanyama in the paint. Those rebounds frequently led to possessions that resulted in the Knicks’ 15 made three-pointers. Tyler Kolek ran the offense late and dished out critical assists over the final three minutes.

Every Knicks player earned $530,933 in prize money for the win, while Spurs players received $212,373 each as runners-up.

Betting Markets Reflect Knicks’ Rising Profile

As the Knicks advanced through the tournament and completed their comeback in the championship game, betting markets adjusted accordingly. Before the title game in Las Vegas, New York was listed as a slight favorite, with multiple betting previews showing the Knicks favored by 2.5 points, a total of 227.5, and a moneyline of -135, while the Spurs were listed at +115.

After the championship win, futures markets continued to move in response to New York’s performance. Sportsbook listings showed the Knicks with NBA title odds ranging from +1000 at Caesars to +1300 at both BetMGM and DraftKings, while FanDuel listed New York at +1100. An opening price of +750 was also cited for comparison. FanDuel’s separate NBA Finals futures page listed the Knicks at +1500.

Eastern Conference odds also tightened, with one listing placing New York at +300 to win the East. At the individual level, Brunson’s performances carried betting relevance as well. He was listed at +1700 in Finals MVP markets at FanDuel, +8000 in NBA MVP opening odds at Covers, and +25000 in NBA MVP odds at BetMGM. Brunson also appeared at +4000 in BetMGM’s Clutch Player of the Year market.

Brunson’s Production Defined The Tournament

Across NBA Cup play, Brunson averaged 33.3 points, 6.7 assists, and 3.7 rebounds. His scoring totals during the tournament were 29, 33, 37, 35, 40, and 25 points. He also shot 46% from three-point range.

In the quarterfinals, Brunson scored 35 points against the Toronto Raptors, shooting 13-for-19 from the field and 6-for-9 from beyond the arc. In the semifinals, he scored 40 points against the Orlando Magic, helping the Knicks reach their first title game of any kind since 1999, when they lost to the Spurs.

After the championship game, Brunson credited his teammates. “Without Tyler Kolek, OG Anunoby, Mitchell Robinson, and Jordan Clarkson, we don’t win this game,” he said while accepting the MVP award. At the final buzzer, Brunson embraced Kolek, Clarkson, and Robinson.

This is a goal of ours that we get to check off,” Brunson said. “It’s an important stepping stone for us. We can still learn from this game and get better, as well. I’m very thankful for the opportunity presented to ourselves.

Pressure Situations Highlight Growth Under Mike Brown

The Knicks were coached by first-year head coach Mike Brown, who valued the NBA Cup’s single-elimination format. “During the course of the year, you try to find situations to put pressure on your group,” Brown said. “This is a single-elimination tournament when you get to a certain point. Every game counts.”

Brown used Kolek alongside Brunson to counter San Antonio’s guards and leaned heavily on the bench. Brown said the pressure created by the tournament “is manufactured without you as a coach having to try to do it all the time,” adding that success in those moments can build confidence throughout the organization.

Brunson described the start of his relationship with Brown, saying the coach called him and met him for dinner, where they talked for two to three hours without discussing basketball. “I really appreciated the time he spent coming down to see me,” Brunson said. “It was a great first impression.

Knicks’ Standing And Historical Context

The Knicks are 18-7 and sit second in the Eastern Conference, 2.5 games behind the Detroit Pistons. Their NBA Cup run included wins over the Charlotte Hornets and Milwaukee Bucks in group play, followed by victories against the Toronto Raptors, Orlando Magic, and Spurs.

New York has not reached the NBA Finals since 1999, and they have not won a championship since 1973, a span of 52 years. That championship came a year after the birth of Rick Brunson, Jalen Brunson’s father, a former Knicks player and current assistant coach.

While the NBA Cup championship game does not count toward regular-season statistics, the Knicks viewed the experience as meaningful. “A game like this, an environment like this, you don’t really see around the NBA too often,” Brunson said.

I always focus on staying levelheaded through the positives, through the negatives,” he added. “You can’t get too high, can’t get too low. This is great. We’re going to enjoy this. But once we leave tomorrow, we’re moving on.

The Last Shot: The Complete Story Behind Michael Jordan’s Iconic Game 6 Photograph

The Last Shot: Complete Story

No sports documentary during the pandemic commanded attention the way The Last Dance did, drawing viewers back into the final chapter of Michael Jordan’s career with the Chicago Bulls. As the series approached its conclusion, the focus narrowed to Jordan’s final possession in Game 6 of the 1998 NBA Finals, the last shot he would take in a Bulls uniform and the play that secured the championship.

The jumper secured a title, became one of the most documented plays in basketball history, and produced an image later ranked number one on Sports Illustrated’s “100 Greatest Sports Photos of All Time.” The photograph was captured by Fernando Medina, positioned on the baseline while working for the NBA, at the instant Jordan released the shot that ended the Bulls’ dynasty.

Key Takeaways
  • Michael Jordan scored 45 points and hit the game-winning 20-footer with 5.2 seconds left to secure an 87–86 Game 6 victory and the Bulls’ sixth NBA title in eight years.
  • Fernando Medina captured the iconic photograph of the final shot, which was later ranked No. 1 on Sports Illustrated’s 100 Greatest Sports Photos of All Time.
  • The photograph was created using the Flash Wizard system, linking multiple film cameras operated by NBA Photos during the 1998 NBA Finals.

Fernando Medina’s Early Life and Entry Into NBA Photography

Fernando Medina’s journey into professional sports photography began well before his presence on NBA baselines. At the age of 3, Medina and members of his family fled Cuba for the United States following Fidel Castro’s rise to power. His parents concluded that communist Cuba was “no place to raise a family or run a business.” Prior to leaving the country, the family had established itself as successful entrepreneurs. Medina’s father, Rosendo, operated a cardboard business, while his mother, Diolanda, worked with photographers producing wedding photo albums that included embedded music boxes.

After high school, Medina continued the family’s entrepreneurial tradition by starting an audio-visual company with friends. Connections formed through that business eventually led to an opportunity with the Orlando Magic. In 1989, he became part of the franchise’s inaugural photography team, working under Tony Smith. His initial responsibilities did not involve shooting games; instead, he was tasked with delivering slide photographs.

Medina developed his photographic skills through hands-on experience, learning alongside respected figures in the industry such as Barry Gossage, Andrew D. Bernstein, Nathaniel Butler, and Walter Iooss. His role expanded over time, and in 1996, he was appointed official team photographer for the Magic. The position allowed him to cover NBA games on a full-time basis and travel to document NBA Finals, All-Star Games, and additional league events for both the NBA and Getty Images.

Throughout his career, Medina’s photographs were distributed globally and appeared in publications including Sports Illustrated, ESPN, SLAM, Hoops, Beckett, Bravo Sport, Dunkshoot, and Forbes, in addition to various websites and hardcover books. His work was also featured by The New York Times, The Los Angeles Times, USA Today, The Sporting News, and NBA.com. While Medina never submitted his images to photography competitions, two of his photographs were selected as NBA Photo of the Year by Getty Images, and his work also received recognition from Sports Illustrated.

Game 6 of the 1998 NBA Finals

Game 6 of the 1998 NBA Finals was played on June 14, 1998, at the Delta Center in Salt Lake City, Utah, between the visiting Chicago Bulls and the Utah Jazz — the championship series for the 1997–98 NBA season and a rematch of the previous year’s Finals.

Both teams finished the regular season with identical 62–20 records. Utah defeated the Los Angeles Lakers in the Western Conference Finals, while Chicago beat the Indiana Pacers in the Eastern Conference Finals. The Jazz swept the Bulls 2–0 during the regular season, giving Utah home-court advantage.

The Jazz won Game 1, the Bulls won Games 2 through 4, and Utah extended the series by winning Game 5 at the United Center 83–81 after Michael Jordan missed a potential game-winning three-pointer at the buzzer. None of the Bulls’ previous five Finals appearances had gone to a Game 7.

In Game 6, the Jazz led 49–45 at halftime and 66–61 after the third quarter. Scottie Pippen aggravated a back injury on the opening basket and was limited to 8 points on 4–7 shooting in 26 minutes. Michael Jordan attempted 35 of the Bulls’ 67 shots, scoring 45 points in 44 minutes. Karl Malone led Utah with 31 points, 11 rebounds, and 7 assists.

With 41.9 seconds left, John Stockton hit a three-pointer to give Utah an 86–83 lead. Jordan responded with a layup, cutting the deficit to one. With 18.9 seconds remaining and Utah in possession, Jordan stole the ball from Karl Malone in the low post and dribbled down the court. Guarded by Bryon Russell, Jordan drove inside the three-point line, executed a quick crossover, and hit a 20-footer with 5.2 seconds left to give Chicago an 87–86 lead.

Stockton missed a final three-point attempt, and the Bulls won their sixth championship in eight years. It was the final shot Jordan would take as a member of the Chicago Bulls, his 25th game-winning shot for the team.

The Technology and Teamwork Behind “The Last Shot” Photograph

The photograph that captured Jordan’s jumper was not the result of chance alone. It was the culmination of more than five years of research and development by NBA Photos, which had been testing a system originally used by Sports Illustrated photographers known as the Black Box, later referred to as the Flash Wizard system.

At the time, photographers had to bring and install their own strobe lights in arenas. The Flash Wizard system allowed multiple cameras to fire simultaneously using a single burst of strobe lighting, accounting for lag times across different 35mm and 120mm film cameras. Development included hiring an engineer from MIT and testing shutter lag down to milliseconds, while working within the limits of 36 frames per roll, or 24 frames for Hasselblad cameras.

During Game 6, photographers Andrew D. Bernstein, Scott Cunningham, and Fernando Medina worked together. Bernstein was positioned in the lower corner, Cunningham in an elevated position near center-court TV cameras, and Medina on the opposite baseline. Bernstein controlled the remote trigger, while Medina and Cunningham acted as “human drones,” continuously composing and maintaining focus without pressing the shutter themselves.

NBA Photos credited images to the photographer who was holding and composing the camera, while stationary cameras were credited to the photographer who installed them. When Jordan rose for the shot, Bernstein’s view became obstructed, resulting in a blurred image, but Medina and Cunningham captured the moment cleanly.

The final image stood out because it included sideline-to-sideline framing, the shot clock, the scoreboard, and the fans. Among them was a young boy in a Bulls jersey surrounded by Jazz fans, holding up six fingers in anticipation of Chicago’s sixth championship.

Broadcast Records, Legacy, and Continued Discussion

NBC broadcast Game 6 live as part of NBA on NBC. The game earned a 22.3 Nielsen rating and a 38 share, averaging 35.9 million viewers. At least 72 million people in the United States watched some portion of the game, making it the most-watched NBA game in history.

The shot remains one of the most discussed plays in league history. In 2010, John Hollinger of ESPN ranked it fourth among the 50 best single-game performances. Officiating decisions involving Howard Eisley and Ron Harper continue to be debated decades later. Bryon Russell later stated, “Whether he pushed off or not, he was making that shot.”

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